苏林德·约德卡（Surinder S. Jodhka），贾瓦哈拉尔·尼赫鲁大学社会学教授，印度新德里人文科学中心高级研究员，牛津大学访问学者，主要研究方向包括农村转型、社群身份、社会文化等，重点关注种姓问题在当代印度社会生活中的表现形式。著有《种姓制度：牛津印度通识读本》（Caste: Oxford India Short Introductions）、《印度农村手册》（A Handbook of Rural India）、《审问印度的现代性》（Interrogating India’s Modernity）等。

How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brillia...(展开全部)

In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications...(展开全部)

How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brillia...(展开全部)

Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Sc...(展开全部)

“Most of the people I write about in this book do not have the luxury of rage. They are caught in exhausting struggles. Their wages do not lift them far enough from poverty to improve their lives, and their lives, in turn, hold them back. The term by which they are usually described, ‘working poor,’ should be an oxymoron. Nobody who works hard should be poor in America.” —from ...(展开全部)

“Nobody who works hard should be poor in America,” writes Pulitzer Prize winner David Shipler. Clear-headed, rigorous, and compassionate, he journeys deeply into the lives of individual store clerks and factory workers, farm laborers and sweat-shop seamstresses, illegal immigrants in menial jobs and Americans saddled with immense student loans and paltry wages. They are known a...(展开全部)

柯玮妮（Whitney Crothers Dilley），美国西雅图华盛顿大学博士（1998），现任台北世新大学英语系副教授。与陈鹏翔合编《华人文学中的女性主义/女性气质》（Feminism/ Feminity in Chinese Literature, 2002）。曾以华语女性文学编辑身份获列入知名的「世界名人录」 ( Marquis Who's Who in the World )。 2009年08月《纽约时报》专文〈追逐社会的藏龙〉（Chasing Society's Hidden Dragons）中，受访谈论李安的作品。